Since the release of Diamond Dave (2003), Roth has put out many non-album singles since 2020, but released no further albums. Most of his singles have experienced international chart success, most notably in Canada and New Zealand, where Roth has several Top 20 hits in both countries. It reached number one on the Billboard Hot Mainstream Rock Tracks chart. "Just Like Paradise" is also Roth's first (and only to date) number-one single on any Billboard chart. His debut single, 1985's " California Girls", reached number 3 on Hot 100, and 1988's " Just Like Paradise" reached number 6 on the same chart. Roth has released 20 singles, with four of those reaching the Top 40 on the US Billboard Hot 100. As of 2012, all of David Lee Roth's Warner Brothers LPs are due for recertification. Eat 'Em and Smile, Skyscraper, and Crazy from the Heat are certified Platinum, and A Little Ain't Enough is certified Gold. Of his eight albums, four have been certified Gold or higher by the Recording Industry Association of America. His solo discography consists of six studio albums, one extended play, one compilation album, and 20 singles. It was then that Steve revealed that his soloing on the album had some from the rough demos that they had done prior to recording “My guitar solos? Well, okay, for instance, I demoed all that Skyscraper stuff, and Dave liked the guitar solos so much that I had to use the demoed solos”, he said, concluding “I didn't really want to, but the committee was involved.David Lee Roth is an American rock singer best known as the lead singer of Van Halen. It's different Ted Templeman was just like "alright, let's go", and he knew how to capture 'something', but Dave had been doing that for so long he wanted to navigate to something differently.” Going on to discuss the production of the Skyscraper record, Steve admitted “Dave and I were just really forensic, because it was his first production outing, and he's got great ears and all but we probably lacked being producers that made rock and roll records as a career. That wouldn't have happened with any other situation.” I just loved the way the guitar just floats through the whole thing. I'm not competing with anybody it's loose, but it's tight, but it's free and it's liquid, but it's appropriate. When you listen to those rhythm tracks, that's as Steve Vai as I can get. I say to myself, I say to the 'committee’ "you're going to make a record that has that rhythm guitar playing that you love". Okay, I go into the studio, I locked the door, and I want to build a record. He went on “When I made the Gash record, it was a committee of one. So, even songs I wrote, there's a committee that has an involvement in it "what is the band feel? The singer, where is he going to fit it’s his band?!”, you know?! And what does the producer say the producer is always saying "now, here, listen let's try this", and then you've got the record company that just says "no, not that song", and so many suggestions.” He continued “Like, even with a song like 'Knucklebones' I didn't write it, Greg came in with that. Said Steve “I had a fight at times not 'fight', but I had to argue hard for doubling a guitar part”. Talk of the album arose when Vai discussed the Vai / Gash album (recorded in 1991), and how it differed to his experiences in the studio on the two Roth albums.
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